In "Proposals for Remnants", Gualdoni depicts groupings and configurations of detritus, allowing room for exploration with paint, surface and abstraction. She molds shapes and ephemera, using them as the basis for invented constructions. Pilings hint to the architectural and optimistic influences of Buckminster Fuller and humble sculptural paper assemblages represent liminal spaces between the abstract and the representational. These paintings, while less specific to architectural conditions, are more representative of a subjective emotional and psychological read and offer a connection to our current conditions that call for making-do with what is at hand.